Garamond
-Garamond typefaces offer elegance and readability, making them suitable for a wide range of applications.
-This font has been expanded to include small caps, titling caps, expert fonts, and swash caps, which were typical in the fifteenth and sixteenth centuries.
-Garamond was the first to craft letters to the medium.
Caslon
-Caslon is an Old Style serif typeface originally designed by William Caslon in 1722.
-The 'A' has a concave hollow at top left, the 'G' is without a downwards-pointing spur at bottom right and the sides of the 'M' are straight.
-Caslon is a good font for body text. It usually use in magazines, journals, books or as a corporate typeface.
Baskerville
-Baskerville increased the contrast between thick and thin strokes
-The curved strokes are more circular in shape, and the characters became more regular.
Bondoni
-The square dot over the letter “i”, and a double storey “a”.
-The capital “Q’s” tail is centered under the figure, and the uppercase “J” has a slight hook.
-Mainly used for displays, posters, headlines and logos; especially in the fashion scene.
Clarendon
-The classical Clarendon form originating in England in 1845 as polished by Edouard Hoffmann and Hermann Eidenbenz at Haas a little over a century later.
-Has strong squared serifs but with an added softness from the curved brackets and has a low contrast
Berthold
-A sans-serif typeface designed by Hermann Hoffmann in 1908.
-The typeface has rounded corners and extremely short descenders giving it its characteristic “blocky” feel.
-Block Berthold is available in three weights—regular, bold and heavy
Times
-Very common in book and general printing
-Through distribution with Microsoft products and as a standard computer font, it has become one of the most widely used typefaces in history
-Tiny lines that attach themselves to the end of a stroke in a letter
Helvetica
-modern, innovative and clean style
-Helvetica’s characters always have horizontal or vertical stroke
endings
-Fantastic use of white space between characters.
Univers
-Univers is the name of a sans-serif typeface designed by Adrian Frutiger in 1954. Classified as a neo-grotesque typeface
-Released in 1957
-Similar to Helvetica, however Univers contains an absolutely huge variety of weights and widths, making it a much more flexible type family than Helvetica.
So, I typed the word "Lucky" in different typeface see how they look like.
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